2001 Gallery

http://www.archwk.com

2010-09-26T07:10:00.000-07:00

Website for Wettermark + Keiffer Architects LLC

John Wettermark and David Keiffer are proud to unveil their new website at www.archwk.com

Prints

2010-01-16T12:22:00.000-08:00

FINE ART PRINTS

Limited edition, giclee on acid-free museum paper;

digitally restored images from family collection

approx. 9" x 7 1/2" image printed on 11" x 17" paper

$100/each

Totally unrelated but because a niece is one:

http://debscenemobile.blogspot.com

PAINTINGS

2010-01-15T14:11:00.001-08:00

LES LYDEN

Les Lyden

Cold Hole #9; 24"x12"x1.5"; Acrylic gel medium on wood; $300

Les Lyden

Cold Hole #6; 48"x24"x3.5"; Acrylic gel medium on wood; $1,000

Les Lyden

429241309; 48"x24"x1.5"; Acrylic gel medium on wood; $1,000

Les Lyden

Small Panel #3; 12"x24"x3.5"; Acrylic gel medium on wood; $300

Les Lyden

Springs #2; 24"x24"x1.5"; Acrylic gel medium on wood; $600

STEPHEN RICHARDSON

Stephen Richardson

03.25.08; 11"x14"; 12"x15" frame; Oil on canvas; $450

Stephen Richardson

07.15.08; 20"x10";21"x11" frame; Oil on canvas; $400

Stephen Richardson

12.28.08; 9"x12"; 10"x13" frame; Oil on canvas; $200

EUGENIA FOSTER

Eugenia Foster

Fish River; 11"x15";20"x24" frame; Oil on canvas; $850

Eugenia Foster

Michelle; 8"x10"; 11"x13" frame; Oil on canvas; $850

Eugenia Foster

Red Hair Ribbon; 11"x14"; 14.5"x17.5" frame; Oil on canvas; $1,000

Photography

2010-01-15T14:05:00.000-08:00

STEWART HARVEY

Stewart Harvey

Children of Chaos; 26"x22"; $550

Stewart Harvey

Donald Harrison; 20"x26"; $550

Stewart Harvey

Bo Dallas; 26"x22"; $550

Stewart Harvey

NOAC Pool; 26"x22"; $550

WILL CROCKER

Will Crocker

Coliseum; 24"x20"; $480

Will Crocker

Napoleon & Daneel; 24"x20"; $480

Will Crocker

Philip Streetcar; 20"x24"; $480

Will Crocker

Lafitte Ancient Oak; 20"x24"; $480

Will Crocker

Chalmette Battlefied; 24"x20"; $480

Will Crocker

Audubon Park Lagoon Magnolia; 20"x24"; $480

Will Crocker

Cypress Grove Cemetery; 24"x20"; $480

Will Crocker

Annunciation and Thalia; 24"x20"; $480

Stewart Harvey

2009-12-07T12:00:00.001-08:00

Stewart Harvey’s photographs have been exhibited and published widely in during his 30-year professional career in Portland, Oregon. He is a recent recipient of an Oregon Arts Commission Individual Artist Fellowship, and his work is in the collections of the Portland Art Museum, The Tacoma Art Museum, and several University Archives. Two of his New Orleans “Sketchbook” series were published in the “Katrina Exposed” book, and are included in the print collection of New Orleans Museum of Art. It was also featured as a 20-print photo essay in LensWork Quarterly. In 2008, the State Museum of Louisiana purchased 24 of his ongoing New Orleans Sketchbook series. He has also been photographing the Burning Man Event since 1989, and this work has been widely published in both magazines and hard cover books. Most recently, he was selected as one of four featured photographers for “Burning Book”, Simon & Schuster, 2007.

Nurturing Shells: The Culture of Personal Space

“It has been said in New Orleans “culture bubbles up from the bottom,” and this city is unique in that only a little of what constitutes its cultural currency trickles down from elite institutions. Other than its grand architecture, the itinerant musicians and shabby shop owners contribute as much to the cultural essence of the city as the social elite or the power brokers of art and politics. Individuality is esteemed in the Crescent City and so is irreverent self-expression. Often that individuality is illustrated by costuming during Mardi Gras parades and Second Lines, but it very often also carries over to their living or working environments. At its core New Orleans is a bohemian city, a city of dreamers and schemers, a city of artists and the artistically inspired, individuals who’ve transformed the act of living in New Orleans into monuments of personal expression.”

Photographs are Epson Ultra Chrome pigment ink on Museo Silver Rag 100% cotton paper.

Will Crocker

2009-12-07T11:55:00.000-08:00

Texas native Crocker has lived for many years in New Orleans with his wife Martha Crocker. His work is focused on advertising and architecture

Trees of New Orleans is active work in progress:

“The Druids and other ancient cultures responded to trees with worship and mythology. Today we respond to the symbols that they present: longevity, perseverance, patience, strength and resurrection. On returning from Katrina evacuation I discovered newfound appreciation for what a vital part trees are to New Orleans. As I explored the city for tree landscapes, I experienced a living spirit in those trees. That is what I attempted to capture in my photographs.

I make a living in advertising and architectural photography. “Trees of New Orleans” grew out of a calendar project with designer Phillip Collier, for John Benton at Bayou Tree. I enjoyed the change of working outside. My approach was closer to the street photography that I enjoyed when I first started making photographs. I was back to going out to see what the world of chance and natural light had to offer. Photographing New Orleans filtered through its trees brought me into neighborhoods that I hadn’t appreciated and helped me to rediscover those places that were familiar. “

Digital prints by Martha Crocker with archival carbon inks on 100% rag paper.

Selected Publications: Bon Appetit, Cooking Light, MacWorld, PC Magazine, Parade, Delta Sky, Wall Street Journal

BFA from Kansas City Art Institute, 1973.
Member of ASMP and PPA. Stock Photography represented by Getty Images.

December at 2001

2009-12-02T18:22:00.000-08:00

Opening Night

TWO LOOK AT THE CITY
photography of:
Stewart Harvey
Will Crocker

October Show

2009-09-16T09:27:00.000-07:00

A life of service as a Jesuit is celebrated in the artwork of Robert McCown, S.J.

Life Drawing at the Gallery

2009-07-29T14:25:00.001-07:00

Each Tuesday evening at 2001 Gallery a group of professional and amateur artists gather to sketch the human form from a live model. We welcome new participants!

Eugenia Cameron Foster

2009-05-04T15:20:00.000-07:00

So many beautiful paintings by Foster that some

had to be hung on exterior of building!

May Show

2009-04-15T09:06:00.001-07:00

Noted Southern Artist

Eugenia Cameron Foster

Southern artist Foster draws upon her frequent travels as inspiration for her work, for which she has been named Mobile Alabama’s Best Artist for the last 7 years. She is no stranger to New Orleans; During visits to New Orleans for art instruction in her early education, she carried her French easel to paint across the street from Jackson Square. She made friends with the Lucky Dog man, who with a small tip, looked after her traveling studio while she took a break.

Vibrant color is central to Foster’s work. She often lays down blocks of vivid color on her canvas as inspiration for what will come next. And what comes next is lively figures, landscapes, portraits and scenes from Italy, where she studied in her youth in Rome and with artist Umberto Alvatico.

Foster will return to Italy this Fall when she will be teaching in Tuscany at Borgo Fiochhieto. Her work is currently showing in Montestigliano Italy.

Foster is a graduate of Springhill College with graduate studies at the University of South Alabama. She has taught at the Eastern Shore Art Center and has been included in numerous juried shows, regional and national. She is the mother of four and grandmother of nine.

Selected Exhibitions:
Montestigliano Italy
Ashland Gallery, Mobile Alabama
Lyons Share Gallery, Fairhope AL

Selected Collections:
Whitney Bank;
Regions Bank;
RBC Centura Bank
Mobile Chamber of Commerce
Mobile Infirmary
Providence Hospital
Memorial Sloan Kettering, New York
Gregory Development Group, Rockville MD
Mumford Collection, Chicago IL
ThyssenKrupp, Germany
Clausen and McDonald, Attorneys
Mitchell Cancer Institute
The Grand Hotel, Point Clear
Country Club of Mobile
Retirement Systems of Alabama

2009-03-21T07:32:00.000-07:00

Stephen Richardson

2009-03-21T07:31:00.001-07:00

"07.15.08;" oil on canvas; 18" x 24"

"06.21.08;" oil on canvas; 20 1/2" x 27"

"06.19.08;" oil on canvas; 16" x 20"

"08.29.08;" oil on canvas; 24" x 32"

September 2008"; oil on canvas; 16" x 20"

"October 2008 #1"; oil on canvas; 55" x 32"

"08.22.07;" oil on canvas; 11" x 16"

"08.25.2008;" oil on canvas; 21" x 26"

SOLD

Les Lyden

2009-03-14T17:05:00.000-07:00

SOLD

2009-03-13T18:54:00.000-07:00

Inaugural Show

2009-03-08T18:00:00.001-07:00

Les Lyden

Lyden is a Mobile AL native currently living outside of Fairhope Alabama. He is a graduate of the University of the South in Sewanee, Tennessee, studying also in Germany and New York City. His work draws heavily on the influence of the many waterways and abundant wildlife of the Alabama coast and Perdido bay, where he spent summers as a child and now calls home. His bold paintings capture the intense colors of water, with reflections of landscape and sky. They are vigorous in their execution capturing consecutive movements merged to one scene.

Stephen RichardsonRichardson grew up in Concord Massachusetts. He received a bachelor of Fine Arts from the Swain School of Design in New Bedford MA in 1986. His post graduate studies include the Parson’s School of Design in New York. He has lived in New Orleans with his wife Lisa since 1993, father of two sons, Jared and Thomas.

"I have always painted the town where I live. In New Orleans I have sought to illustrate the quintessential elements and forms of our city. I try to draw attention to those parts of our environment which we see every day, yet go unnoticed and unmentioned. Often these are the things that will recall memories and feeling in ways that grand subject matter cannot: the rhythm of chimneys and rooftops; the patterns of paving stones and weather boards; the silhouettes of poles and wires; The profile of river and cloud. In time these overlooked details will inform us fully of where we have lived and what we did there.

"I hope that my work enriches our sense of this New Orleans. I see these paintings as intimate and personal. I hope to create images that are Intimately personal to the viewer, images that will be handed down through generations of families and between friends. If one of my paintings reminds you of your experience of New Orleans than I hope that same painting will remind your grandchildren of you."